摘要
亚里士多德置疑“摹仿自然”而提出“摹仿再创”,以强调作为戏剧主体的人及人的行动,进而指出:戏剧创作存有情节、性格、言词、思想和形象等五大要素,并论述了五大要素的内涵和相互关联性。本文持亚里士多德的创剧观,结合莎士比亚戏剧情节,展开“情节=行动”、“形象影响情节”、单一主题多情节并行发展“、女扮男装”情节的创剧意义等问题的讨论。
Arguing for the“theory of mimesis”, Aristotle puts forward the theory of“creative power of mimesis”for the prominence of human and human’s action, while claiming that there are five elements in creating plays(plot,character, diction, thought and image), and therefore discusses the connotation and relationship of these five elements. Based on Aristotle’s view of drama creation and the plots of Shakespeare’s plays, this paper discusses issues as“plot = action”,“plot affected by image”,“the parallel development of multiple plots with single theme”,and the significance of the plot of“women disguised as men”.
作者
曾绛
ZENG Jiang(School of Foreign Studies,Hunan University of Science and Technology,Xiangtan Hunan 411201,China)
出处
《湖北第二师范学院学报》
2022年第12期28-31,共4页
Journal of Hubei University of Education
基金
湖南省社科项目“文学伪装与莎士比亚经典化研究”(17YBA133)
教育部人文青年项目“文学伪装与文艺复兴戏剧经典化研究”(18YJC752001)。
