摘要
“留白”作为当代艺术创作中较为常见的技法与手段,最早可回溯至中国传统绘画与书法艺术的作品之中,直至逐渐渗透于园林、建筑、服饰、音乐、舞蹈等各艺术领域。文章通过对相关舞蹈作品在其空间布局、动作设计、舞美视觉等呈现要素的研究,分析如何借鉴“留白”使得作品体现“虚实结合”“以少胜多”等东方美学的审美理念,以及作品意境自生的视觉效果。
As a frequently-used technique and means in contemporary artistic creation, “leaving blank space” can be traced back to traditional Chinese paintings and calligraphies, and it gradually permeates into various art fields such as gardening, architecture, costume, music, dance, etc. By studying the related dance works in their spatial layout, movement design, and choreographic visual presentation, this paper analyzes how to use “leaving blank space” to make the works achieve the oriental aesthetic concepts such as “combination of void and solid” and “to express more with less”, and the visual effect of artistic conception created by the works themselves.
作者
张荪
叶波
ZHANG Sun;YE Bo(School of Arts and Communication,Beijing Normal University,Beijing 100875,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2022年第5期105-108,共4页
Journal of Beijing Dance Academy
关键词
舞蹈创作
留白
创作技法
意境
leaving blank space
creation technique
artistic conception
