摘要
20年前戏剧界围绕当代中国戏剧的现实处境与未来出路展开的“当代戏剧之命运”讨论,是21世纪以来规模最大的一次戏剧理论论争。其参与人员之众、涉及范围之广、观点交锋之激烈都引人瞩目。今天,我们以客观、理性的眼光重新审视其中的理论得失:当年关于“当代戏剧之命运”的讨论主要集中于研究戏剧危机的外在表现、造成危机的外部原因、解决危机的外部策略,而关于戏剧艺术本体方面的学理性探讨则不够深入;这样“外转化”的理论论争,其实没能在理论建设方面结出真正的硕果,却在一定程度上表征着戏剧界在面对戏剧危机时的“理论疲劳”。
The discussion on“the fate of contemporary drama”in the drama circle 20 years ago was about the realistic situation and future orientation.This is the largest theoretical dispute on drama in the 21stcentury in terms of the number of participants,the scale of influence and the intensity of discussion.Today,we rethink the gain and loss of the theory with objective and rational perspective.The discussion on“the fate of contemporary drama”was about the outside situation of the theatrical crisis,the external factors which triggered the crisis,the external strategies for the resolution,while the internal theoretical discussion on the entity of theatrical art is not enough.Therefore,this theoretical dispute on the“external transformation”could not yield fruit but display the fact that the drama circle experienced"theoretical fatigue"when faced with theatrical crisis.
作者
穆海亮
Mu Hailiang(the School of Journalism and Communication,Shaanxi Normal University,Xi'an,Shaanxi,710062)
出处
《民族艺术研究》
CSSCI
2022年第6期79-85,共7页
Ethnic Art Studies
基金
国家社科基金项目“西秦腔文献整理与传承保护研究”(项目批准号:19VJX152)的阶段性研究成果。
关键词
“当代戏剧之命运”讨论
学理反思
“外转化”
“理论疲劳”
discussion on“the fate of contemporary drama”
theoretical rethought
“external transformation”
“theoretical fatigue”
