摘要
作为可供观众沉浸式互动的新电影形式,互动电影已成为创作热点之一,在电影界和学界也都受到广泛关注。互动电影从传统现实主义演进到合成现实主义,再配以空间移位与时间断裂,实现了屏幕内外的技术和认知缝合。同时,受众在解读互动电影文本时的主动诠释,实际上也是一种自我缝合,进一步凸显了互动电影的互动特性。
As a new form of film for audience immersive interaction, the interactive film has become one of the creative hotshots and attracted extensive attention in the film and academic circles. The interactive film evolved from traditional realism to synthetic realism, coupled with spatial shift and time fracture, has achieved the aim to suture the technology and cognition inside and outside the screen. At the same time, the active interpretation of the audience in interpreting the text of interactive films is actually a kind of self-suturing, which further highlights the interactive characteristics of interactive films.
作者
陈钢
李昌显
Chen Gang;Li Changxian
出处
《艺术探索》
CSSCI
2022年第6期117-122,共6页
Arts Exploration
基金
浙江省哲学社会科学规划项目“电影叙事实验论纲”(18NDJC256YB)。
关键词
互动电影
技术缝合
认知缝合
身份缝合
Interactive film
Technology suturing
Cognitive suturing
Identity suturing
