摘要
传统的美术吉祥图案在和美好物象结合方面,其构图不受限于常规自然物象与时间空间,反而注重以多元化表现手法,将不同时空状态下的自然景物重组为全新物象,以赋予吉祥图案独特的美学情怀与艺术感染力。据此,为提高皮革服装艺术性、美观性和文化性,可在服装设计中引进吉祥图案元素,充分融合传统文化的独特气质与吉祥图案的艺术气息,以此为皮革服装的多样化设计与发展奠定基础。
In terms of the combination of traditional artistic auspicious patterns with beautiful objects, their composition is not limited to conventional natural objects and time space, but focuses on using diversified expression techniques to reorganize natural scenes in different space-time states into new objects, so as to endow auspicious patterns with unique aesthetic feelings and artistic appeal. Therefore, in order to improve the artistry, aesthetics and culture of leather clothing, auspicious pattern elements can be introduced into clothing design, fully integrating the unique temperament of traditional culture and the artistic atmosphere of auspicious patterns, so as to lay a foundation for the diversified design and development of leather clothing.
作者
昝楠楠
ZAN Nan-nan(College of Arts,Shangluo University,Shangluo 726000,China;Qinling Painting Research Center,Shangluo 726000,China)
出处
《中国皮革》
CAS
2022年第12期136-139,共4页
China Leather
基金
陕西省商洛市科技局项目(2020-C-0015)
陕西省软科学研究计划项目(2020KRM156)。
关键词
皮革服装
服装设计
传统文化
美术吉祥图案
leather clothing
clothing design
traditional culture
art auspicious patterns
