摘要
以罗伯托·罗西里尼与弗里兹·朗等人的电影为分析范本,主要讨论20世纪前半段中,各种诞生自科技中介之声的大众神话学与意识形态。无线电、收音机等科技产物在将声音与声源抽离的过程中,不但创造出前所未闻的时空环境,更打破了人类主客体之间的疆域。此科技之声的特性遂成为法西斯媒介理论中操控人心与人体的利器。
Taking Films by Roberto Rossellini, Fritz Lang and others as examples, the paper mainly discusses the mythology and ideology derived from the technology-mediated voices in the first half the 20th century. Technological products such as wireless and radio detached voices from their sources, not only creating temporal and spatial environments never seen before, but also breaking the borders between human subjects and objects. This disembodied technological voice thus became a sharp weapon manipulating human heart and human body in the fascist media theories.
作者
汤姆·甘宁
唐葆真(译)
张泠(校)
Tom Gunning;TANG Baozhen;ZHANG Ling(Department of Filmn and Media,University of Chicago,Chicago 60637.USA;Department of Ant History,Sydney Universin,Sydney 1466,Australia;School of Film and Media Sudies,State University of New York,Neu York 91776.USA)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2022年第6期32-40,共9页
Journal of Shanghai University(Social Sciences Edition)
