摘要
相比于艺术介入,设计本身就具有改造现实和福祉普惠的价值底色,何来“介入”一说?但设计进入空间却是一部惊异和奇崛的旅程:伴随生产力和生产关系的演进,设计介入自然空间就是介入社会空间,这涵盖了所有的造物实践、商业模式和物理空间征服;设计要敢于介入精神空间,创造政治、观念、知识、逻辑、哲学、精神法则、价值观、抽象性规则、语义符号和认知概念,这是设计的终极使命;在去中心化的数字空间,设计表达蕴涵了极大的张力,具备反拨和改造社会空间的潜力。然而,基于自然、社会与精神空间的“三元一体”属性,设计的空间介入不是孤立介入,呈现多维而总体的态势。设计始终在寻觅空间,以一种确定性的能量塑形空间、治愈空间,并创造意义联结;空间的生产又丰富了设计的意涵、鼓励了设计的触角,启发了未来的设计创新实践。
Compared with the intervention of art,the design itself has the value background of transforming reality and universal welfare.Why"intervention"?However,design's entry into space is an amazing and strange journey:along with the evolution of productivity and production relations,design's entry into natural space is also into social space,which covers all creation practices,business models and physical space conquest.Dare to let design intervene in the spiritual space to create politics,ideas,knowledge,logic,philosophy,spiritual laws,values,abstract rules,semantic symbols and cognitive concepts,which is the ultimate mission of design.In the decentralized digital space,design expression contains great tension and has the potential to reverse and transform the social space.However,based on the Trinity property of natural,social and spiritual space,the spatial intervention designed is not an isolated intervention,but a multidimensional and overall situation.Design always seeks space.It shapes and cures space with a certain energy,and creates the connection of meaning.The production of space enriches the meaning of the design,encourages the tentacles of design,and inspires the practice of design innovation in the future.
作者
陈确
CHEN Que(Shandong University of Art&Design,Jinan 250399,China)
出处
《工业工程设计》
2022年第6期1-8,共8页
INDUSTRIAL&ENGINEERING DESIGN
基金
2017年教育部人文社会科学研究青年基金项目(17YJC760006)
2021年国家社科基金艺术学重大项目(21ZD25)。
