摘要
中国传统文化与电影研究的结合需探索一种方法论框架。传统文化不仅定义着中国电影的民族风格,也包含着对电影本体思考的潜能。对于传统文化的继承,不能局限于美学范畴的简单挪用,而是要对范畴背后的哲学思想进行理解与转化。这样一种哲学视域可以借由“文以载道”展开。通过重新诠释“道”在电影中的不同维度,“影以载道”的视域从影片立意拓展至本体论、认识论诸层面,让受到传统文化浸润的中国电影理论探寻到与世界电影理论相互对话的可能性。
The methodology of combining Chinese traditional culture and film studies is significant.Besides revealing the characteristics of Chinese films,Chinese traditional culture should also explore the nature of cinema.Hence,inheriting Chinese traditional culture is far beyond diverting concepts from classical literature to modern ones,but illuminates the philosophy behind the concepts.Such exploration can be illustrated by revisiting a traditional phrase“Literature as the vehicle of Dao”.Through an analysis of different layers of Dao in the reshaped phrase“Cinema as the vehicle of Dao”,the scope stretches from theme to ontology and epistemology,where a conversation between Chinese film theory and film theories around the world could be found.
作者
王海洲
林逸枫
Wang Haizhou;Lin Yifeng
出处
《电影艺术》
CSSCI
北大核心
2022年第6期3-11,共9页
Film Art
基金
2020年度国家社科基金艺术学重大项目“中国艺术文化传统在当代中国电影中的价值传承与创新发展研究”(课题编号:20ZD18)阶段性成果。
关键词
中国电影理论
电影哲学
道
影以载道
Chinese film theory
film philosophy
Dao
cinema as the vehicle of Dao
