摘要
“气”字早在甲骨文中就已出现,作为单字解其本义是指云气,后延伸为自然之气、生命之气等。而在中国古典舞中“气”是相当重要的美学范畴,不仅仅在于物质层面对于“气”的运用,更有审美层面对“气”的体悟。“身韵”作为“新古典舞”流派之一,凝结了中华传统美学观、历史文化观。为了把握“气”在舞蹈领域渗透之如何,本文将以“气”范畴和中国古典舞“身韵”之关系为出发点,对前人的智慧进行浅要归纳并反思,以拓宽舞蹈乃至文艺理论未来发展路径。
The word“Qi”has already appeared in oracle bone inscriptions.As a single word,its original meaning refers to the cloud,which later extends to the air of nature and life.In Chinese classical dance,“Qi”is a very important aesthetic category,which is not only reflected in the use of“Qi”at the material level,but also in the understanding of“Qi”at the aesthetic level.As one of the genres of Chinese classical dance,“Body Rhythm”condenses traditional Chinese culture and aesthetic concepts.In order to understand the penetration of“Qi”in the field of dance,this article will begin with the relationship between the category of“Qi”and the“Body Rhythm”of Chinese classical dance,summarize and reflect on the wisdom of predecessors,so as to broaden the future development path of dance and even literary theory.
作者
姚靓茳
Yao Jingjiang(College of Literature and Media,Three Gorges University)
出处
《中国舞蹈学》
2022年第1期51-63,341,342,共15页
CHOREOLOGY IN CHINA
关键词
中国古典舞
“身韵”
“气”
文艺理论
Chinese classical dance
“Body Rhythm”
“Qi”
Literary theory
