摘要
从倡导“诗体大解放”、主张白话诗,到有意制造新、旧诗对立以提倡新诗,胡适对旧体诗的态度存在矛盾之处。归根结底,“旧诗”概念本身带有断裂意味,其两层意涵也常被混用,呈现出在概念收紧与放松之间的游移。“五四”以来,新诗集出版一度风行,借助现代传播条件,诗人与读者、诗人与评论家、诗人与诗人之间增进对话与互动。新诗诗人们对诗歌情感与读者共鸣的追求,不仅激励他们尽情释放自然的真情,也使其落入对新旧诗体分野与诗人身份认同的迷茫之中。
From advocating“the liberation of poetic style”and vernacular poetry to calling for new poetry by intentionally creating the opposition between new poetry and old poetry,Hu Shi's attitude towards old poetry is contradictory.Fundamentally,the concept of“Old Poetry”carries a meaning of breakage,and its two layers of implications are often confused,wobbling between strictness and looseness.Since the“May Fourth Movement”,the publication of new poetry collection has been prevailing.With the help of modern communication conditions,the dialogue and interaction between poets and readers,poets and critics,and poets have been enhanced.The new poets'pursuit of poetic emotion and resonance with readers not only inspires them to release true sentiments naturally,but also traps them in the confusion of the distinction between new and classical poetry,as well as the identity of poets.
作者
刘福春
于晓庆
Liu Fuchun;Yu Xiaoqing(The college of Literature and Journalism,Sichuan University,Chengdu,Sichuan,610000;School of Cultural&Communication,Shandong University,Weihai,Shandong,264200)
出处
《成都大学学报（社会科学版）》
2022年第6期105-112,共8页
Journal of Chengdu University (Social Sciences)
基金
教育部人文社科重点研究基地重大项目“中国现代散佚诗集的搜集、整理与研究”(项目批准号:17JJD750003)。
关键词
新诗集
序跋研究
旧体诗观
散佚诗集
new poetry collection
study of ordinal postscript
view of old-style poetry
scattered poetry collections
