摘要
德国浪漫主义文学代表作家蒂克十分注重文学文本的视觉与听觉维度。在其代表作《金发的埃克伯特》中,以绘画与音乐为基础的视听语言可谓显露无遗。“假晶艺术”是比较艺术研究中一个颇有启发性的概念,其着眼于多种媒介交流互动中的视听认知问题,有助于发掘这部艺术童话所唤起的视觉认知与听觉认知,解码该童话中潜藏于表层文字语言之下的视听认知世界。藉文学与绘画、文学与音乐之间的多重互动,《金发的埃克伯特》中隐含的绘画与音乐潜影进入读者的认知世界,形塑了认知主体的视觉表象与听觉表象,召唤着认知主体关于绘画与音乐的假晶象,亦即一个立体化的视听认知空间。
The representative writer of German romantic literature Ludwig Tieck attaches great importance to the visual and auditory dimensions of literary texts. In his masterpiece The Fair-Haired Eckbert, the audio-visual language based on painting and music is well expressed. “Pseudomorphosis” is an enlightening concept in comparative art research. It focuses on the audio-visual cognition in the interaction of multiple media, which could help to explore the visual and auditory cognition aroused by this artistic fairy tale and decode the audio-visual cognitive world hidden under the surface of written language in this fairy tale. Through the multiple interaction between literature and painting, literature and music, the latent image of painting and music in The Fair-Haired Eckbert enters the reader’s cognitive world, shapes the audio-visual image of the cognitive subject and evokes pseudomorphs of painting and music in a three-dimensional audio-visual cognitive space.
出处
《国外文学》
CSSCI
北大核心
2022年第3期77-86,共10页
Foreign Literatures
基金
北京语言大学院级项目(中央高校基本科研业务费专项资金,项目编号:21YJ020003)的阶段性成果。
关键词
《金发的埃克伯特》
视听认知世界
假晶艺术
绘画
音乐
The Fair-Haired Eckbert
audio-visual cognitive world
pseudomorphosis
painting
music
