摘要
墓室壁画是一个涉及艺术、考古和宗教等领域的传统文化现象。墓室壁画在世界各地的普遍存在,说明其在人类文明史上曾受到普遍重视,具有文明共生属性。遗憾的是,目前学术界对世界墓室壁画研究缺乏完整性,甚至没有完整的遗存数量描述。因此,需要进行一个体系性的建构研究。首先,我们描述墓室壁画的定义,并以此为据划分墓室壁画的遗存材料边界。其次,将世界墓室壁画划分为中国及周边分布区、地中海分布区和美洲分布区的三大遗存区,并依据“全面梳理”与“代表性梳理”原则,分别描述墓室壁画遗存面貌。最后,从墓室壁画的全球性特征、墓室壁画的独特考古价值和中国墓室壁画的特别意义三方面讨论世界墓室壁画的研究意义。
Tomb mural is a kind of traditional cultural phenomenon involving arts,archaeologies and religions.The survival of tomb murals around the world shows that they are generally valued in the history of human civilization and have the characteristics of civilization symbiosis.Unfortunately,the current academic research on the world's tomb murals lacks completeness,and even does not have a complete description of the number of remains.Therefore,a systematic construction study is needed.In this paper,I will first give the complete definition of the tomb mural and use it as a basis to divide the boundaries of the materials of the tomb mural.Secondly,I will divide the remains of the world's tomb murals into three major heritage areas:China and its surrounding areas,the Mediterranean and the Americas.Moreover,I will describe the features of the tomb murals respectively according to the principles of“comprehensiveness”and“representativeness”.Finally,I will discuss the significance on the research of tomb murals in the world from three aspects:the global characteristics of tomb murals,the unique archaeological value of tomb murals,and the special significance of Chinese tomb murals.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2022年第6期76-86,共11页
Journal of Sichuan University：Philosophy and Social Science Edition
基金
国家社会科学基金一般项目“米诺文明时期克里特神话图像谱系研究”(21BWW008)
“墓葬中的比较艺术学:丝绸之路中西墓葬艺术比较与‘类型’研究(1—8世纪)”(22CA161)。
关键词
世界墓室壁画
艺术考古
重生信仰
研究体系建构
Tomb mural of the world
Art archaeology
Regeneration faith
Construction of systematic studies
