摘要
小安东尼奥·达·桑加洛是意大利文艺复兴盛期的主要代表人物,他所设计的法尔内塞府邸是罗马一系列教皇家族宫邸中的首例,也是16世纪意大利最壮美的宫邸建筑。在建筑理念上,他力求在变化万千的古代遗存中探求维特鲁威古典秩序的表现,以期用图解的方式重构古典秩序,同时他留存下来的设计图纸比以往任何一位建筑师都要多,这些图纸以平面、立面、剖面与透视组合的方式来表达建筑设计,大大推进了建筑制图技术的规范性和合理性。小桑加洛强调建筑的技术性尺寸,认为专业的建筑图纸应该清晰、精确和可读性强,他是现代制图三维表达的先驱者。他的实践和画作为西方古典秩序的理性回归和科学制图起到了重要的推动作用。
Antonio da Sangallo the Younge is the main representative of the Italian Renaissance. The Palazzo Farnese designed by him is the first in a series of papal royal palaces in Rome,and it is also the most magnificent palace building in Italy in the 16th century.In terms of architectural concepts,he strives to explore the performance of Vitruvian’s classical order in the ever-changing ancient remains,in order to reconstruct the classical order in a graphical way. At the same time,he has retained more design drawings than any other architect in the past,and these drawings express the architectural design in the way of the combination of plane,elevation,section and perspective,which greatly promotes the standardization and rationality of architectural drawing technology.Antonio da Sangallo the Younge emphasized the technical dimensions of the building and believed that professional architectural drawings should be clear,precise and readable,and he was the pioneer of three-dimensional expression in modern drawing.His practice and painting played an important role in promoting the rational return of Western classical order and scientific drawing.
作者
童乔慧
黄婷
胡嘉渝
董贺轩
TONG Qiaohui;HUANG Ting;HU Jiayu;DONG Hexuan
出处
《建筑师》
2022年第5期80-89,共10页
The Architect
基金
国家自然科学基金面上基金项目“住区开放空间的适老健康绩效与设计导控研究——基于武汉实证”(51978298)。
