摘要
战后商品经济消费主义盛行的50年代,资本家失去公信力,设计在经济上依靠商业、制造业和零售业,但就其与社会乃至生态的关系而言,设计反而需要担当起一种更负责任的角色。当设计师在这样一个行业里寻求建立一种更广泛的职业认同时,设计师一方对种种社会、环境和道德关注进行的任何承诺都会因受到其实际的利益支配或潜在的雇主思想上的制约调和。随着社会的不断进步和发展,设计行业的发展状况仍存在困惑和懵懂,想要尽快走出困惑,需要注意的是设计是人和生态之间的联结点,把人、设计、生态以及人的思考方式看作是一个非线性的、同步的、综合的、全面的整体。所以,设计者要保持高度的自然敬畏之心,实现人与自然的共生,带着那份设计者的责任感迎接时代的新挑战。
In the 1950s,when commodity economy consumerism prevailed in the post-war period,capitalists lost their credibility.Designed to assume a more responsible role in terms of their relationship with society,but it was economically but inherently dependent on commerce and manufacturing.Industry and retail.In other words,when a designer seeks to build a broader professional identity in such an industry,any commitment by the designer to various social,environmental,and ethical concerns will be influenced by his or her actual employer.Demand and ideological constraints must be tempered.Design is the connection point between people and the environment.It needs to regard people,design,environment and human thinking as a non-linear,synchronous,comprehensive and comprehensive whole.Therefore,the designer must maintain a high degree of natural awe and bring the designer's sense of responsibility to meet the new challenges of the times.
作者
刘娅
LIU Ya(School of Zhengzhou Sias University,Henan 451100,China)
出处
《鞋类工艺与设计》
2022年第17期156-158,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
设计
关注
责任感
design
attention
sense of responsibility
