摘要
人的现代化称之为文化现代性,是对审美、社会、政治现代性的具体化。文化现代性是目的,其他现代性只是手段。具体到西部电影、新西部电影和西部历史纪录片,依次可以概括为围绕人的现代化、不自觉疏远人的现代化和疏远人的现代化几个阶段,表现为批判现实主义占主导、城乡混搭且以传统民间社会伦理道德具体方式方法为主导和想象的古典历史文献学为主导的影像叙事选择。这就与西部社会、西部文化、西部人的现实状态产生了某种错位,更与综合能力的现代化提升目标存在某种程度的机制错位关系。作为大众文化水平的重要衡量尺度或反映晴雨表,西部电影、新西部电影到西部历史纪录片的变迁,可以折射出文化现代性慢慢丧失的诸多根源。
The modernization of human beings is called cultural modernity, which is the embodiment of aesthetic, social and political modernity. Cultural modernity is the purpose, others are only means. Specifically speaking, western films, new western films and western historical documentaries, all can be summarized as the modernization of people, the modernization of people who are unconsciously alienated, and the modernization of people who are alienated. It is manifested in the choice of image narration dominated by critical realism, mixed urban and rural areas, mainly imagined by the specific ways and methods of traditional society ethics of classical historical philology. This has a certain dislocation with the society of western China, western Chinese culture and western Chinese people, and also has a certain degree of mechanism dislocation relationship with the goal of modernization promotion of comprehensive ability. As an important measure or a barometer of mass cultural level testing, the transition from western films, new western films to western historical documentaries can also reflect the many causes of why cultural modernity is slowly being lost.
作者
牛学智
Niu Xuezhi(Institute of Cultural Studies,Ningxia Academy of Social Sciences,Yinchuan,China)
出处
《社会科学论坛》
2022年第5期217-230,共14页
Tribune of Social Sciences
关键词
西部电影
新西部电影
西部历史纪录片
文化现代性
western film
new western film
western historical documentary
cultural modernity
