摘要
明初建造的中都皇城遗址中出土了大量雕刻西番莲纹的建筑构件。研究发现:西番莲纹与传入前的形象不同,它是在原有形象基础之上,融合中国传统的装饰元素,派生出了承载着统治者与劳动群体“二重性”期望的复合形象。此复合形象基于劳役疾苦的生存环境;精神寄托的心理环境;民族本位的社会环境等诸多因素综合作用而成的结果。可见明中都石雕刻西番莲纹复合形象的涌现,展现了“中”与“西”、“我族”与“他族”兼容并蓄、和而不同的文化主张。
A large number of architectural components carved with passionflower patterns were unearthed in the ruins of the Zhongdu Imperial City built in the early Ming Dynasty.The study found that the passionflower pattern is different from the image before the introduction.It is based on the original image and integrates traditional Chinese decorative elements,and derives a composite image that carries the both expectations of rulers and labor groups.This composite image is based on the combined effect of many factors,such as the living environment of hard labor,the psychological environment of spiritual sustenance,and the social environment of nationality.It can be seen that the emergence of compound images of passionflower patterns in the stone carvings of Zhongdu in Ming Dynasty shows the cultural proposition that cultural differences between the East and the West are compatible and harmonious.
作者
周广超
李晓东
刘欣
许晴
Zhou Guangchao;Li Xiaodong;Liu Xin;Xu Qing
出处
《滁州学院学报》
2022年第4期5-10,66,共7页
Journal of Chuzhou University
基金
明文化研究资助项目“明中都砖石雕刻文化基因范式与图像检索研究”(2022RW02)
国家级大学生创新创业训练计划项目“明中都遗址文化旅游资源开发模式与路径研究”(202210879038)。
关键词
西番莲纹
明中都遗址
砖石雕刻
三维成因
passionflower pattern
the site of Zhongdu Imperial City in Ming Dynasty
masonry carving
three-dimensional origin
