摘要
乐种的音乐形态在各时期、各地域的发展状况是社会政治、经济、文化的反映,其鼎盛时期状况更是最应还原、传承和保护的核心。在田野采风过程中,我们获得的口述史信息多为乐种的末代状态。我们认为,以末端节点作为乐种的全部去挖掘,不能完整地反映音乐形态的动态发展过程,也不能全面体现音乐内涵,甚至可能出现偏离。文章的“口述史诠释”通过解说、阐明,将田野采风中获取的文字及谱例等综合分析,呈现艺术形式的深层意蕴,从口述活动中诠释荆山悠腔各发展时段的历史形态、表演形态、唱腔形态、文化内涵形态,反映乐种的音乐特性、历史传承、地域辐射以及文化内涵,也为口述史的撰写和应用提供更多的方法补充。
"Oral History Interpretation" presents the deep meaning of the art form through a comprehensive analysis of the texts and genealogical examples obtained in the field collection through explanation and clarification. The development of music patterns of music genres in various periods andregions is a reflection of social politics, economy, and culture, and its heyday is the core that should be restored, inherited, and protected. In the process of collecting folklore in the field, most of the oral history information we obtained is the last state of music genres. We believe thatonly taking this as a node as the whole of music genres to explore can not fully reflect the dynamic development process of its music form, nor can it fully reflect its music connotation, or even may deviate. Taking the Jingshan you qiang as a case, taking the "interpretation" of oral historyobtained by gathering folklore as the main axis, this essay explores the historical pattern, performance pattern, singing pattern, and cultural connotation pattern of music in each development period, so as to reflect the historical inheritance, regional radiation, and cultural connotation of music, and provide more methods to supplement the writing andapplication of oral history.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2022年第4期81-87,I0004,共8页
Journal of Nanjing Arts Institute:Music & Performance
基金
国家社科基金重大招标项目“文明多样性视野下的中国媒介考古(多卷本)”(项目编号:20&ZD329)子课题“声音媒介考古”阶段性研究成果。
关键词
口述史
文本诠释
荆山悠腔
田野采访
音乐形态
oral history
text interpretation
Jingshan you qiang
field interview
music form
