摘要
电影的地方视角是指在视听叙事中明确出现与真实地理空间相关的要素;民族化表达指向将抽象的民族文化观念寓于具体电影故事之中的策略。有意识地对地方故事进行深度探索,已经成为中国类型电影的重要创作倾向。地方性书写要求电影文本在场景、空间、叙事及主题等各个方面均突出一种经验性的地方视角,以不同的地方符号构建特色化的地方文化。类型电影中地方符号的表达呈现出直观性、现实性、延展性的特征,这丰富了影像内外对于地方的感受与认知。在电影传播和接受的维度上,叙事中潜藏的地方观念及其所承载的民族文化内涵,与观众的情感需求形成内在共振,并参与构建了一种关乎地方的共同体美学样式。以中国电影的民族化发展为基础,地方故事的完善、地方创作的开拓、地方视角的延伸将为电影艺术创造更为广阔的视听空间。
Local perspective of film refers to the explicit appearance of elements related to real geographical space in audio-visual narration. Nationalized expression refers to the strategy of embodying the abstract national cultural concepts into specific film story. Consciously in-depth exploration of local stories has become an important creative tendency in the creation of Chinese genre film. Local writing requires film text to highlight an empirical local perspective in all aspects, such as scene, space, narration, and theme, and to build a distinctive local culture with different local symbols. The expression of local symbols in genre film is intuitive, realistic and extensible, which enriches the feeling and cognition of place both inside and outside the image. In the dimension of film transmission and reception, local concept hidden in the narration and the national cultural connotation it carries, resonate intrinsically with the emotional needs of audience and participate in the construction of a communal aesthetic style about place. Based on the nationalized development of Chinese films, the improvement of local stories, the development of local creations and the extension of local perspectives will create a broader audiovisual space for film art.
作者
陈晓
Chen Xiao(School of Journalism and Communication,Nanjing Normal University,Nanjing,Jiangsu,210097)
出处
《民族艺术研究》
CSSCI
2022年第5期19-26,共8页
Ethnic Art Studies
基金
江苏省社会科学基金艺术学青年项目“中国故事背景下江苏电影类型创作研究(2000-2020)”(项目批准号:20YSC004)的阶段性研究成果
关键词
中国电影
类型电影
地方视角
民族化
Chinese film
genre film
local perspective
nationalization
