摘要
鲁迅杂文中有大量的以引文、拼接、用典、戏拟等形式存在的多种互文现象,或在野与正的对质中解构、批判互文本,或与互文本相互引证共鸣。鲁迅通过互文性写作,使杂文创作成为一种自觉的话语实践,在与各类话语辩驳、争鸣中,构建起自身的异质性个人话语,形成了以“杂”为著称的杂文文体。鲁迅杂文对既定程式归化的拒绝,也对读者的阅读实践提出挑战,最终召唤出具有反思、批判意识的独立的现代自我。
There are a large number of intertextual phenomena in Lu Xun’s essays in the form of citations,splicing,allusions,parody,etc.,either to deconstruct and criticize the intertext in the confrontation between the opposition and the right,or mutually cite and resonate with the intertext.Through intertextual writing,Lu Xun made essay creation a conscious practice of discourse.In rebutting and arguing with various ideological discourses,he constructed his own marginal and heterogeneous personal discourse,and formed a“mixture”as a personal discourse and well-known essay style.Lu Xun’s essays rejected the established formula and challenged readers’reading practice and finally summoned an independent modern self with reflection and critical consciousness.
作者
聂虎
封兴中
Nie Hu;Feng Xingzhong(School of Humanities,Kashgar University,Kashgar,Xinjiang 844000,China)
出处
《湖北工程学院学报》
2022年第5期35-40,共6页
Journal of Hubei Engineering University
基金
喀什大学人文学院研究生创新科研项目(RW202102)。
关键词
鲁迅杂文
互文
野史思维
Lu Xun’s essays
intertext
wishful thinking
