摘要
苏轼与文徵明均是中国书法史上有名的书法大家,二人虽生活在不同时代,但颇具渊源。苏轼的行书代表作《赤壁赋》问世后流传于不同藏家,并一度成为文徵明的家藏。因卷首几行字残损,文徵明拟苏轼原作风格补书36字于其前,并在卷后用小楷题跋记之。补字虽与原作风格相近,然细观之,在章法对比、结体、用笔细节、线条质感上仍有较多差距。本文将文徵明补书字与苏轼原作中风格最为接近的相同字进行对比分析研究,进一步了解文徵明对苏轼书法的取法学习以及存在的差距,以期为学习者带来一些启示与借鉴。
Both Su Shi(1037-1101) and Wen Zhengming(1470-1559) were great figures in the history of calligraphy of China.Although divided by more than four centuries,their works show similar origins.Song of the Red Cliff,a representative work of the former in the walking style,circulated in hands of different collectors,and the latter was one of them.At the beginning of the work,36 characters were missing.Wen Zhengming,imitating the original style of Su Shi,supplemented them in his own hand with a postscript explaining it.Though close to the original characters,the supplemented ones show differences in method,structure,details and line texture at close scrutiny.By comparing the supplemented characters closest to the original ones,this paper attempts to understand how,why and what Wen chose to learn from Su so as to help future calligraphy learners.
作者
王恒
WANG Heng(School of Fine Arts,Yunnan Arts University,Kunming,Yunnan Province 650500)
出处
《楚雄师范学院学报》
2022年第5期150-155,共6页
Journal of Chuxiong Normal University
关键词
苏轼
文徵明
《赤壁赋》
补书
Su Shi
Wen Zhengming
Song to the Red Cliff
supplemented character
