摘要
随着工业革命引发新技术的产生,人们的生活和工作发生了巨大的变化。建筑作为一门机器建造的艺术,它所表现的气息和精神正是人们探索未来主义的一种方式。而对于建筑机器美学的思考和阐述,虽然每个时期都有不同表达,但却是基于建筑师对当时时代的思考。文章以宾夕法尼亚大学建筑系主任Ali Rahim教授的部分教学作品为例,探讨在当今数字化设计的大环境下,如何平衡未来主义建筑设计和机器美学,从而达到建筑类型多元化、差异化的发展。
With the emergence of new technology triggered by the industrial revolution,great changes have taken place in people’s life and work.Architecture as an art of machine,it expresses the breath and spirit of futurism.For the thinking and elaboration of architectural machine aesthetics,every period has its own expression,but they all based on the architects’ thinking of the current era.This paper take the studio works of Professor Ali Rahim,which is the director of the department of architecture of the University of Pennsylvania as an example,to analysis and discusses how to balance futuristic architectural design and machine aesthetics in today’s digital design environment,so as to achieve the development of diversified and differentiated architectural types.
出处
《建筑与文化》
2022年第10期261-263,共3页
Architecture & Culture
关键词
未来主义
建筑设计
机器美学
美学探究
futurism
architectural design
machine aesthetics
aesthetic exploration
