摘要
新中国成立前夕,东北解放区积极响应中共中央“旧剧改革”的号召,以沈阳为中心,以《戏曲新报》为媒介,将通俗易懂、易于改造、观众广大的评戏作为首选对象。评戏“由旧转新”的过程,可概括为:首先,演员接受文字、历史、政治教育,以完成阶级觉醒与信仰重塑;其次,通过剧目座谈、编剧竞赛、节庆会演等方式进行打磨,使其从文本到演出全部经过群众检验;最后,各种身份的观众,以剧评的形式,集体参与“群众改编旧剧运动”,作为共享文化空间的“新型评戏”由是形成并不断更新。“新型评戏”远不止于一种改良形态,它是新生政权政策实践的首批成果,代表“旧剧新生”的成功尝试,为新中国“戏改”运动提供经验借鉴与有力背书。
On the eve of the founding of new China,the northeast liberated area actively responded to the call of the Central Committee of the Communist Party of China to"reform the old opera".Taking Shenyang as the center and"Opera New Daily"as the main media,the pingqu,which is easy to understand,easy to transform and popular,was the first choice.The process of"changing from the old to the new"can be summarized as follows:first,actors receive literary,historical and political education to realize class awakening and faith remodeling;Secondly,through the way of drama discussion,scriptwriter competition,festival performance and so on,the collective polishing makes the whole text and performance standardized;Finally,audiences of various identities participate in the"mass adaptation of old dramas"in the form of drama criticism,generating drama content to complete the qualitative change of old dramas.As a shared cultural space,"new pingxi"is born and constantly updated."New pingxi"is far more than an improved form,it is the first fruits of the policy practice of the new regime,represents all the possibilities of the"rebirth of the old opera",and provides experience for reference and strong endorsement for the"opera reform"movement of new China.
作者
陈劲松
姜岩
Chen Jinsong;Jiang Yan(Shanghai normal university,Shanghai 200234,China)
出处
《内蒙古艺术学院学报》
2022年第3期127-134,共8页
Journal of Inner Mongolia Arts University
基金
国家社科基金艺术学重大招标项目“新中国成立70周年戏曲史(上海卷)”(项目编号:19ZD04)
上海高水平地方高校重点创新团队项目“都市文化与文学”(项目编号:19SJ08)的阶段性研究成果
国家社科基金艺术学重大项目“戏曲现代戏创作研究”(项目编号:18ZD05)的阶段性研究成果。
关键词
东北解放区
新型评戏
《戏曲新报》
旧剧改革运动
Northeast Liberated area
New pingxi
Opera New Daily
The old drama reform movement
