摘要
郑大圣是一位能用戏剧“魔法”讲好中国故事的优秀电影导演,善于从戏剧、戏曲中提取元素并将之化在电影镜头里,从而使电影的表现力发生奇特的化学反应。郑大圣在黄佐临先生“中国写意戏剧观”的家族传承基础上孜孜以求,“以传奇的方式讲故事,以写意的笔墨写人物”,无论是对电影还是对舞台,他都试图在世界版图中寻找到中国影像的坐标体系。郑大圣的作品立足当下,植根于中华优秀传统文化,通过“魔幻的往事,提示我们注目民族的未来”。
ZHENG Dasheng is an excellent film director who tells Chinese stories well with the “magic” of theatre.He is good at extracting elements from theatre and Xiqu and transforming them into cinematic shots,so that the film may have magical chemical reactions.Inheriting the “essentialism of Chinese theatre” from Mr.HUANG Zuolin,ZHENG strives to “tell stories in a legendary way,and portray characters in a suggestive way”.He tries to find the coordinate system of Chinese films in the world,both for film and for theatre.Rooted in the splendid traditional Chinese culture,and based on the present,ZHENG’s works “remind us to look at the future of our nation” through “the magical past events”.
出处
《戏剧艺术》
CSSCI
北大核心
2022年第4期121-133,145,I0003,共15页
Theatre Arts
关键词
郑大圣
戏曲电影
中国写意戏剧观
影戏
ZHENG Dasheng
Xiqu film
essentialism of Chinese theatre
Yingxi
