摘要
“戏改”是中国戏剧有史以来最为影响深远的重大事件,始于1948年末,大致终于1956年中,其内涵在1949年7月下旬经历了从“旧剧改革”到“戏曲改进”的变化。支持“戏改”的理念非常复杂,在政治方面,它包括艺术功能上的工具论、社会达尔文主义和“革命”话语;在艺术方面,包括从欧洲古典主义的情节整一性、现实主义的表演真实性理念和浪漫主义对资本与商业的批判等等,最终归结为戏剧完整性和精致化的追求。但这些驳杂的观念基本上是外来的,“戏改”的进程就是这些外来观念与本土传统之间博弈与妥协的结果。
“Xiqu reform” is the most far-reaching event in the history of Chinese theatre.It began at the end of 1948 and ended roughly in the middle of 1956,with its contents changing from “the reform of old Xiqu” to “the improvement of Xiqu” in late July,1949.The ideas leading to “Xiqu reform” are very complex.Politically they include the instrumentalist theory concerning the function of arts,social Darwinism,and “revolutionary” discourse;artistically,they concern the pursuit of plot integrity of European classicism,the realistic pursuit of authenticity in performance,and the criticism of romanticism on capital and commerce,etc.,which,together,come down to the pursuit of theatrical integrity and refinement.However,these various ideas are basically foreign,and the process of “Xiqu reform” is the process of competition and compromise between the foreign ideas and the local traditions.
出处
《戏剧艺术》
CSSCI
北大核心
2022年第4期1-12,共12页
Theatre Arts
基金
国家社科基金艺术学重大项目“戏曲现代戏创作研究”(18ZD05)的阶段性成果。
关键词
戏改
戏曲改进会
工具论
现实主义
Xiqu reform
Committee of Xiqu Improvement
instrumentalism
realism
