摘要
本文以籍官薄《天水冰山录》作为个案研究,运用其器物载录中的仪式化条目内容为经、以历史叙述结构为纬的思路与方法。旨在揭示中晚明时期的成熟工艺与物质用度,以及该情境下礼制文化与物质空间的区隔与差异。其研究目的主要展现特定事物在共时性环境下的发展历程、内外动因及影响范围。通过研究明时用物、占物与秩序、观念、权力、象征之间的内在联系以及工艺技术与物质空间发生运转的诸多因素,从工艺文化、社会机制、意识形态、审美观及其关系等层面来发掘器物中蕴藉的丰富内涵。
This paper takes Tianshui Bingshanlu as a case study, and uses the ritual items in the record as longitude and historical narrative structure as latitude to reveal the mature technology and material cost in the middle and late Ming Dynasty, as well as the difference between ritual culture and material space. The aim of the research is to show the development process, internal and external causes and influence scope of specific things in the synchronic environment. By studying the internal relations between objects, objects and order, ideas, power and symbols, as well as the factors that cause the operation of technology and material space, from the aspects of craft culture, social mechanism, ideology, aesthetics and their relations, this paper explores the rich connotation contained in the utensil.
出处
《创意与设计》
2022年第4期72-78,共7页
Creation and Design
关键词
《天水冰山录》
工艺技术
礼制文化
物质空间
Tianshui Bingshanlu\process tech no logy
ritual culture
physical space
