摘要
晋唐时期,在新疆吐鲁番阿斯塔那—哈拉和卓古墓群中出土的纺织品,时隔千年仍然色泽鲜艳,其上的联珠纹主题图案更是丰富异彩,尤以高鼻深目的胡人与手持器物组合为主,主要有人物牵驼、饮酒、使乐、特猎等题材。研究发现,这些纺织图案既有西方文化的典型特征,又与中原文化西传以及传统的对称构图理念有着某种联系。具体而言,联珠纹对称图案中人、物组合的艺术渊源古老而复杂,织锦上的外来因素与联珠纹的传入与发展有关,与萨珊织锦及中亚“萨理式”织锦商贸传播有关,更与外来物质文化传入以及中华文化对其包容有关。织锦中诸多的汉文化因素也与中原文化西传有关。
During the Jin to Tang Dynasties,the textiles unearthed from the Astana-Har-aHozuo tomb complex in Turpan,Xinjiang,are still bright in color after about a thousand years*burial underground.The motif of the beads on them is even more colorful,especially for the textile patter ns which combi ne high no sed and sunken eyed Hunni people with handheld utensils in the main,whose major themes of activities include men leading camels,drinking,playing music,hunting,etc.The study reveals that these textile patter ns not only have the typical characteristics of Western culture,but also have a certain connection with the westward spread of the Central Plains culture and the traditional symmetrical composition concept.To be specific,the artistic origin of the combination of people and objects in the symmetrical brocade and bead pattern is ancient and complex,as the foreign factors on the brocade are related to the introduction and development of the bead pattern,and also related to the Sassanian brocade and the"Sassanian"brocade of Central Asia.The communication of commerce and trade dem on strates the tolera nee attitude Chin ese culture adopts towards foreign objects and culture.Many factors of the brocade in the culture of Han Nationality are also related to the spread of Central Plains culture to the west.
出处
《上海视觉》
2022年第1期26-33,共8页
Shanghai Vision
关键词
阿斯塔那哈拉和卓古墓
联珠纹对称人、物组合图案
艺术渊源
the Astana-HaraHozuo tomb complex
the symmetrical combination pattern of people and objects with the beads pattern
the origin of art
