摘要
随着博物馆展览的叙事转向,宏大叙事理论在红色展览的策划中显得愈加重要。宏大叙事是将历史事件及实物史料串联成为具有因果联系的历史必然,是对历史发展规律的探索与认知。其理论旨在研究宏大叙事对历史事件的选择和阐释原理,阐述其与历史真实“还原”与“超越”的辩证关系,探索叙事的故事性和整体性在红色展览实践中的应用,构建红色展览宏大叙事的理论框架。红色展览可采用宏大叙事,借助艺术化手段,将历史通过文字、图片和展品呈现出来,让历史的叙事融入观众的认知框架,从而为公众理解历史提供更为形象、直观的途径。
With the“narrative turn”of museum exhibitions, the grand narrative theory becomes increasingly important in the planning of“red exhibitions”(revolution themed exhibitions). The grand narrative links historical events as well as the material and documented evidence into historical inevitability with causal connections, and is the exploration and recognition of the laws of historical development. This paper studies the principle of selecting and interpreting historical events by grand narrative, expounds its dialectical relationship with the "restoration" and "transcendence" of historical reality, explores the application of narrative storytelling and wholeness in developing red exhibitions, and builds a theoretical framework for the grand narrative of red exhibitions. Red exhibitions can adopt grand narratives and present history through words, images and exhibits by artistic means, so that the historical narrative can be integrated into the cognitive framework of the audience, thus providing a more visual and intuitive way for the public to understand history.
作者
张露胜
ZHANG Lu-sheng(Shandong Museum,Jinan,Shandong,250014)
出处
《东南文化》
CSSCI
北大核心
2022年第4期146-150,共5页
Southeast Culture
基金
2021年度山东省文化和旅游厅研究课题“红色展览中的宏大叙事研究”(21WL[H]90)。
关键词
博物馆
红色主题展览
宏大叙事
历史真实
阐释
museum
red exhibition
grand narrative
historical truth
interpretation
