摘要
中国门神画具有数千年的发展历史,因其人物形象的着装与古代服饰色彩的等级观念具有联系性,可视为与传统礼服制度色彩最为接近的手工业之一。本文首先分析了中国传统色彩体系的五色观,继而以部分经典门神画为例进行空间区位的横向对比,通过色谱分析不同的门神画与中国传统五色观在色彩风格上的共性及差异。本研究试图从门神画发展辻程中的色彩变化及象征意义出发,探究门神画形象色彩组配方式的区别和色彩派别的特色。
With a history of thousands of years,Chinese gate-god picture can be regarded as one of the handicrafts that is closest to the traditional dress system due to the connection between the clothing of the gate-god characters and the hierarchical concept of ancient clothing colors.By analyzing the five-color view of traditional Chinese color system and taking some classic gate-god pictures as examples,this paper analyzes the commonality and difference in color style between different gate-god pictures and traditional Chinese five-color view through chromatogram.The research attempts to explore the differences in the color combination methods and the characteristics of color schools in the gate-god pictures from the perspective of the color changes and symbolic meanings in the development process of Chinese gate-god pictures.
出处
《包装与设计》
2022年第4期120-121,共2页
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关键词
传统五色观
中国门神画
色彩风格
traditional five-color view
Chinese gate-god pictures
color style
