摘要
清初,李渔创作的传奇《蜃中楼》演绎人与“龙”的爱情故事,所塑造的各不相同的“龙”型人物形象、以及其他人物形象,饱含独特且丰富的审美文化意蕴。《蜃中楼》的书写具有劝善惩恶的思想主题,艺术呈现方式全面且丰富多彩,融继承、改编和创造三者为一体。当然,《蜃中楼》中存在的某些时代局限和不足,不值得今人肯定与效法。《蜃中楼》依据中国古代“神道设教”的伦理观念和艺术构思进行创作,给予今人戏曲创作积极而有益的启迪。
in the early Qing dynasty, the legendary The Mansions in Mirage created by Li Yu interpreted the love story between human and "dragon", and the different images of "dragon" and other characters are full of unique and rich aesthetic cultural implication. The writing of The Mansions in Mirage had the ideological theme of encouraging good and punishing evil, and the artistic presentation was comprehensive and colorful, integrating inheritance, adaptation and creation. Of course, some limitations and deficiencies in mirage are not worth our recognition and imitation. The Mansions in Mirage was created according to the ethic concept and artistic conception of "Shinto education" in ancient China, which gives positive and beneficial enlightenment to modern opera creation.
作者
骆兵
徐彩云
Luo Bing;Xu Caiyun(Jiangxi University of Finance and Economics,Nanchang 330008,P.R.China)
出处
《江西科技师范大学学报》
2022年第3期99-104,共6页
Journal of Jiangxi Science & Technology Normal University
关键词
李渔
《蜃中楼》
“龙”型人物
审美文化
Li Yu
The Mansions in Mirage
"dragon"character
aesthetic culture
