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日本现代主义建筑设计的东方文化内核——以坂仓准三为例

The Oriental Cultural Core of Japanese Modernist Architectural Design:Take Junzo Sakakura as an Example
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摘要 明治初期,日本为了寻求发展,决定全方面向西方学习,日本的建筑风格也逐渐向西方靠拢。这段时间日本建筑师通过对西方现代建筑的学习,逐渐发展出了属于自己民族特色的现代主义道路,这对于日本现代简约审美的形成具有里程碑式的意义。文章从坂仓准三入手,分析日本现代建筑的设计逻辑,探讨东方文化内核在日本现代主义建筑设计中的体现,由此挖掘可以被中国建筑发展借鉴的地方。 In the early Meiji period, in order to seek development, Japan decided to learn from the West in all aspects, and Japan’s architectural style gradually moved closer to the West. During this period, Japanese architects gradually developed their own national modernist road through the study of western modern architecture, which is of milestone significance to the formation of Japanese modern simple aesthetics. Starting with Junzo Sakakura, this paper analyzes the design logic of Japanese modern architecture, and discusses the embodiment of the core of oriental culture in Japanese modernist architectural design, so as to explore the places that can be used for reference by the development of Chinese architecture.
作者 王沁
出处 《建筑与文化》 2022年第8期192-194,共3页 Architecture & Culture
关键词 坂仓准三 勒·柯布西耶 日本现代主义设计 传统文化的继承与发展 Junzo Sakakura Le Corbusier Japanese modernist design inheritance and development of traditional culture
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