摘要
明代中后期,坊刻日用类书的“农桑门”中载有大量耕织图像,它们多以邝璠的“农务女红图”为基础改绘而成,是楼璹开创的耕织图系统在庶民社会中的普及性版本。这批耕织图蕴含着丰富的农事信息,描绘了一些传统农书所未载的农业技术,可以反映彼时农业活动的真实场景。中国传统耕织图体现的是一种象征与教化意义而非技术传播的价值,不同于以往耕织图多为帝王、官员所推动或绘制,日用类书耕织图的主要读者对象是地主阶级,其主要目的是期冀通过其乐融融的图像来缓和当时随处丛生的地主与佃农之间的矛盾。
In the mid-and-late Ming dynasty,a great number of farming and weaving pictures were found in the agricultural and sericultural section of the daily-use books published by private publishers.Most of these pictures were based on Kuang Fan’s nongwu nügong tu and worked as the popular editions of the farming and weaving picture system,which had been founded by Lou Shu,circulated among common people.These farming and weaving pictures contain lots of farming information,provide descriptions of certain agricultural techniques that are not recorded in traditional agricultural books,and can present truthfully some scenes of agricultural activities at the time.In contrast,what China’s traditional farming and weaving pictures strived to reflect is their symbolic and enlightening implications,rather than their value in technology dissemination.Unlike previous farming and weaving pictures,which were mostly created for emperors and officials and served as symbols of their stable political situations,the farming and weaving pictures in daily-use books mainly were targeted at the landlord class,and were primarily expected to ease the prevalent tension between landlords and tenant farmers with such happy and harmonious drawings.
出处
《民俗研究》
CSSCI
北大核心
2022年第4期72-83,159,共13页
Folklore Studies
基金
国家社科基金重大项目“中国古代农耕图像的搜集、整理与研究”(项目编号:20&ZD218)的阶段性成果。
关键词
日用类书
耕织图
农业技术
主佃关系
daily-use book
farming and weaving pictures
agricultural technique
relation between landlords and tenant farmers
