摘要
《玉茗堂丹青记》是徐肃颖在《牡丹亭》的基础上删润而成的一部剧作,集插图和陈继儒评点于一体,插图并附题画诗。插图题画诗与陈继儒评点之间存在内互文性,表现在批评人物或情节时意旨的一致性和异质性。此外,《玉茗堂丹青记》插图也与石林居士序本插图存在外互文性,提示出《牡丹亭》图像传承的路径。
Jade Tea Hall's Painting Record,which is composed of illustrations with poems and comments by Chen Jiru,is a play cut and polished by Xu Suying on the basis of The Peony Pavilion.This paper aims to discuss that inner intertextuality exists between illustration poems and Chen's comments,which is manifested in the consistency and heterogeneity of the meaning when criticizing characters or plots.In addition,there is external intertextuality between the illustration of Jade Tea Hall's Painting Record and the preface illustration engraved version by“Shilin Resident”,which reveals the path of image inheritance in The Peony Pavilion.
作者
应雨同
刘晨
YING Yu-tong;LIU Chen(Institute of Arts Education,Hangzhou Normal University,Hangzhou 311121,China)
出处
《美育学刊》
2022年第4期83-90,共8页
Journal of Aesthetic Education
关键词
《玉茗堂丹青记》
《牡丹亭》
评点
插图
内互文性
外互文性
Jade Tea Hall's Painting Record
The Peony Pavilion
comment
illustration
inner intertextuality
external intertextuality
