摘要
謝靈運詩文中最重要的是其山水文學,其中又以山水詩賦最爲突出。若細究之,謝最重要的賦作《山居賦》并不以寫山水之美爲主要追求,而是綜合了謝之經歷、文才、學問與思想,接近“著作”。而謝靈運的山水詩,重描寫而輕知識,重當下與眼前。正是在與《山居賦》之重外部知識、重思想議論拉開距離後,謝氏山水詩方奠定了其詩史(文學史)地位。謝靈運之後,其山水賦之寫法無人繼承,其山水詩的特質(内容上的重内在感情,形式上的偏於短小)則在鮑照、謝朓等人處得到了進一步發揮。
Xie Lingyun’s major contribution to Chinese literature is about landscape.Xie presented landscape with different genres.Xie’s“Rhapsody of living in the mountain”is a comprehensive work which combined his experience,literary capability,knowledge and thought.However,Xie’s poetry about landscape did not contain too much knowledge or thought,while he paid more attention to description and scenery before his eyes.Xie’s poetry gained great achievements by being different form his rhapsody.Moreover,the poets after Xie,like Bao Zhao and Xie Tiao,developed Xie,Lingyun’s different aspects of his landscape poetry.
出处
《中华文史论丛》
CSSCI
2022年第1期335-357,410,共24页
Journal of Chinese Literature and History
基金
2018年度教育部人文社會科學研究青年基金項目“文體互動與六朝文學觀念演生研究”(項目批准號:18YJC751004)
2018年度“晨光計劃”項目“中古兩種類型僧傳的生成與演變研究”(編號:18CG02)
2021年度國家社會科學基金後期資助一般項目“詩賦興替與六朝文學的演進”(項目批准號:21FZWB076)的階段性成果。
