摘要
文章从生态女性主义视角解析了英国著名女作家多丽丝·莱辛《屋顶丽人》《到十九号房间去》和《裂缝》三部作品的共同主题,即女性从缺乏自我到被男性的凝视再到两性和谐这样一个探索历程。莱辛突破了女性主义的观念教条,对男权社会中的女性地位做了独立的思考和反思。主张女性的独立并不意味着女性的独自存在,只有男女两性和谐相处,女性才能得到真正意义上的独立。
From the perspective of ecological feminism,this paper analyzes the common themes of Doris Lessing’s three works:A Woman on a Roof,To Room 19andThe Cleft,that is the exploration process of women from lack of self to being gazed at by men,and then to gender harmony.Lessing broke through the doctrine of feminism and made independent thinking and reflection on the status of women in a patriarchal society in her works.She believes that women should be independent not only economically,but also spiritually.Women’s independence does not mean that women exist alone.Only when men and women live in harmony can women get real independence.
作者
徐健翔
张建春
XU Jian-xiang;ZHANG Jian-chun(College of International Studies,Honghe University,Mengzi 661199,Yunnan,China)
出处
《红河学院学报》
2022年第4期120-123,共4页
Journal of Honghe University
基金
云南省教育厅科学研究基金项目:多丽丝·莱辛小说多维生态空间批评研究(2021J0562)。
