摘要
《隐入尘烟》通过一对农村夫妇婚后的日常劳作和生活,搭建起了一种农村形象体系,传达出了一种“前现代”的乡村文化精神,也试图在“反现代性”的视野中建构一种“乡村文化主体性”。与作者以往的作品相比,《隐入尘烟》在对乡村文化的表述系统中出现了“不稳定”的因素,使得作为影片叙事结构的“传统与现代的二元对立”,也出现了整体性的复杂化表述。《隐入尘烟》中关于乡村文化的想象与表达,折射出某种时代文化的变化迹象。
Li Ruijun’s newly-made film Return to Dust constructs a rural image system by describing a rural couple’s daily life, conveying a kind of premodern rural cultural spirit, trying to construct a subjectivity of rural culture in the anti-modernity perspective. Compared with his past films, Return to Dust has displayed a kind of unstable factor in the representation system of rural culture, so that the binary opposition between tradition and modern that the film reveals also illustrates a complex demonstration. The imagination and representation of the rural culture in this film has reflected the change of the contemporary culture.
出处
《电影艺术》
CSSCI
北大核心
2022年第3期77-79,共3页
Film Art
