摘要
保罗·克利在探寻摆脱物象模仿的纯粹化视觉体验的变革路径上,从中国绘画艺术中汲取养分,以反常规的图画比例、书写性、平面性、诗歌意象反叛熟练的绘画技法,以纯然的、未被教化的纯真稚拙对抗传统艺术规范,实现了西方绘画创作观念与实践的革新,获得了与中国绘画“写意性”共同追求的超越维度。本文从“对西方绘画写实传统的颠覆”、“对诗与画的一体融贯”、“对‘心物一体’的精神追求”三个方面探寻保罗·克利绘画与中国绘画的内在契合之处,力图在平等对话的进程中对保罗·克利的绘画思想与创作路径有更为深刻、系统的把握。
Paul Klee Absorbs nutrients from Chinese painting art in his explorative path of breaking away the physical mimesis of pure visual experience.Not only deviating from the mature painting techniques by means of highlighting unusual proportion of image,calligraphic property,planarity and the employment of poetic image,but also resisting traditional principles of art through a pure,uncivilized immaturity,Paul Klee,in his works,both reforms the creation concepts and practice of occidental painting and arrives the transcendence pursued by the form of XieYi in Chinese painting.In this paper,the author probes into the internal correspondence between Paul Klee’s works and Chinese Painting with regards to the rebellion against the realistic tradition of western painting,integration of poetry and painting and spiritual pursuit of mind-matter monism,so as to have a more profound and systematic grasp of Paul Klee’s ideas of painting in a process of equal dialogue.
出处
《美术》
CSSCI
北大核心
2022年第6期131-135,共5页
Art Magazine
关键词
保罗·克利
写意性
象征性
诗画一体
心物一体
Paul Klee
property of XieYi
symbolism
integration of poetry and painting
mind-matter monism
