摘要
文章以明代“服妖”服饰现象作为研究主体,依据“服妖”的定义与内涵,将明代“服妖”服饰现象分为衣冠复古、奢侈僭越、男女混装和习俗禁忌四个类别,逐一进行分析,结合明代的社会背景,从典型的地区和人群等探究这一现象盛行的原因,探索明代“服妖”服饰的审美价值,总结其历史影响和对后世服饰装饰艺术的启发。
In this paper,fuyao(or violation of traditional dress code)in the Ming Dynasty is taken as the subject matter.The etymology of fuyao was first analyzed to shed light on the connotation of the word.With detailed investigation into the histor y of dress code violations in the Ming Dynasty,fuyao at that time can be divided into four categories:retro dressing,extravagant trespassing(or wearing clothes not in line with the social class),mixed dressing between men and women and custom taboos.This paper explores the reasons for the prevalence of fuyao from typical regions and groups under the social background of the Ming Dynasty.Then,the author summarizes the contemporar y influence of fuyao in the Ming Dynasty and its enlightenment to modern clothing.
出处
《服装设计师》
2022年第7期127-133,共7页
Fashion China
关键词
明代
服妖
服饰
Ming dynasty
Fuyao
Costume
