摘要
叙述是人类组织经验的方式,设计师通过转换角色身份使得环境艺术逐渐呈现出叙述性、互动性的特点。叙述与设计具有紧密的联系,环境艺术的叙述过程指导着设计实践,设计实践亦是对叙述过程的还原与拓展。现代符号学不仅广泛应用于视觉文化的研究,也为环境艺术提供了独特的视角。基于符号学理论下,从设计师的角度出发并结合设计实例,提出环境艺术在符号、场域、文本三个过程中展开叙述,以期为环境艺术的设计实践提供思路。
Narrative is the way that human beings organize their experience,and designers make environmental art gradually show the characteristics of narrative and interactive through the transformation of role identity.Narrative and design are closely related,the narrative process of environmental art guides design practice,and design practice is also the restoration and expansion of narrative process.Modern semiotics is not only widely used in the study of visual culture,but also provides a unique perspective for environmental art.Based on the theory of semiotics,from the perspective of designers and combined with design examples,this paper proposes that environmental art should be narrated in three processes:symbol,field and text,in order to provide ideas for the design practice of environmental art.
出处
《中外建筑》
2022年第5期121-125,共5页
Chinese & Overseas Architecture
基金
东华理工大学研究生创新基金
2021年度江西省研究生创新项目“符号学视域下环境艺术设计在高中美术课程中的应用探究”阶段性研究成果(编号:YC2021-S641)。
关键词
符号学
场域
文本
环境艺术
叙述
semiotics
field
text
environmental art
narration
