摘要
中国木雕艺术有着源远流长的发展历史,其形态、意蕴和形象等方面所具有的独特性,广为中国人民所喜爱和接受,得到了较好的传承。“仙作”家具作为小木雕刻的红木家具流派之一,具有型制传承有序、榫卯构造精湛、雕刻装饰之美等鲜明的艺术特点。中国木雕与“仙作”家具在形式、工艺和产品属性上均有着明显的共同性和关联性,使得将中国木雕艺术创新应用于“仙作”家具设计成为可能,为现代“仙作”家具设计提供了可资借鉴的现实路径与方法,且有助于“仙作”家具产业摆脱困境和创新发展,走出一条符合莆田木雕民俗艺术可持续发展的新思路。
Chinese wood carving art has a long history of development,its form,meaning and image formed unique characteristics,widely loved and accepted by the Chinese people,has been better inheritance.As one of the schools of mahogany furniture carved by small wood,“Xianzuo”furniture has distinct artistic characteristics,such as orderly inheritance of form and structure,exquisite mortise and tenon joints,and beauty of carving and decoration.Chinese wood carving and“Xianzuo”furniture have obvious similarities and correlations in form,technology and product attributes,which makes it possible to apply Chinese wood carving art innovation to“Xianzuo”furniture design,and provides practical paths and methods for modern“Xianzuo”furniture design.This will help“Xianzuo”furniture industry to get rid of difficulties,innovate and develop,and find a new way of thinking in line with the sustainable development of Putian wood carving folk art.
作者
郑庆伟
ZHENG Qingwei(School of Fine Arts & Design, Minjiang University, Fuzhou, Fujian 350108, China)
出处
《闽江学院学报》
2022年第3期122-128,共7页
Journal of Minjiang University
关键词
木雕艺术
“仙作”家具
艺术特征
工艺雕刻
wood carving art
“Xianzuo”furniture
artistic characteristics
craft sculpture
