摘要
文学空间是作家用文字描绘人物活动情节的空间形态,从作家所建构的文学空间中,去探寻小说中人物与世俗、信仰两者之间的关系。作者用“食与色”塑造了一个特殊的世俗空间,是北漂族生存空间的缩影和象征。“沙伦的玫瑰”意指小说中的基督主,宣传小册子是信仰空间的实体性隐喻,两个空间相互并置,勾勒出了人物的生活图景及其精神状态。在《玫瑰开满了麦子店》这部小说中,石一枫通过王亚丽的视角,叙述了一群为了生存或逃避苦痛而“信”的边缘人的故事。作家通过现世之苦“拆解”神圣空间,揭示了时代的信仰和人们的精神状况,表现了作家对人性及其信仰的重新思索,这对深入了解作家的文学创作内核有着一定的意义。
Literary space is the spatial form in which writers describe the plot of characters’ activities with words. From the literary space constructed by writers, the relationship between the characters in the novel and the secular and beliefs is explored. The writer uses “food and sex” to create a special secular space, which is the epitome and symbol of the living space of the Beipiao people. “Sharon’s Rose” refers to the Lord of Christ in the novel, while the brochure is a substantive metaphor of the belief space. The two spaces are juxtaposed with each other to outline the life picture and spiritual state of the characters. In the novel The Wheat Shop in Full Bloom with Roses, through Wang Yali’s perspective,Shi Yifeng narrates the story of a group of marginalized people who “believe” in order to survive or escape suffering. The writer “disassembles” the sacred space through the suffering of the world, reveals the beliefs of the times and people’s spiritual conditions, and shows the writer’s rethinking of human nature and beliefs, which has a certain significance for deeply understanding the writer’s literary creation core.
作者
唐雪
TANG Xue(School of Literature,Guizhou Normal University,Guiyang 550001,China)
出处
《焦作大学学报》
2022年第2期31-35,共5页
Journal of Jiaozuo University
