摘要
本文研究目的是对漆器与陶器两大古老工艺在我国先秦时期相互融合、发展现状进行考述,揭示当时社会盛行用漆彩绘陶器的文化现象。研究方法以先秦时期墓葬中出土的漆绘陶器为主要依据,分析先秦时期漆器和陶器的相关文献史料,从漆绘陶器形制上的造型特点、成型手法、材质工艺与漆绘装饰的纹样类别、色彩、工艺等方面进行具体论述,通过比较的方式就不同时期漆绘陶器的艺术形式予以考证。研究结果表明,从出土的漆绘陶器状况来看,夏商周时期器物数量少且工艺形式较为简单,春秋战国时期较为集中,战国时期漆器作为日常生活器皿在社会上普遍使用,用漆盛行带来了漆绘陶器的高度发展,其数量多且造型类别、工艺形式、装饰手法等均达到了空前繁荣的状况。结论是漆绘陶器作为漆器与陶器融合的产物,伴随两者一直存在且发展,兼具漆器的装饰特点与陶器的成型工艺,在视觉上具有新颖的艺术形式及独特的审美效果,虽没有作为社会主流工艺发展,但反映出了漆器与陶器在特定历史时期下的文化交流。
The purpose of this paper is to examine the mutual integration and development of the two ancient crafts of lacquerware and pottery in the pre-Qin period in China,and to reveal the cultural phenomenon of lacquer-painted pottery prevailing in the society at that time.The research method is mainly based on the lacquer-painted pottery unearthed in the tombs of the pre-Qin period,and analyzes the relevant literature and historical materials of the lacquer-painted pottery and pottery in the pre-Qin period.Color,craftsmanship and other aspects are also discussed in detail,and the art forms of lacquer-painted pottery in different periods are verified by means of comparison.The research results show that,from the perspective of the unearthed lacquer-painted pottery,the number of utensils in the Xia,Shang and Zhou dynasties is small and the craft form is relatively simple,mainly concentrated in the Spring and Autumn Period and the Warring States Period.During the Warring States Period,lacquerware is widely used in the society as a daily utensil.The popularity of lacquer brings about the high development of lacquer painted pottery.The number of them has reached unprecedented prosperity,no matter the type of modeling,the form of technology and the way of decoration.The conclusion is that lacquer-painted pottery,as a product of the fusion of lacquerware and pottery,has always existed and developed along with the two.It has both the decorative characteristics of lacquerware and the molding process of pottery,and has a novel art form and unique aesthetic effect in vision.Although it has not been developed as a mainstream social craft,it reflects the cultural exchange between lacquerware and pottery in a specific historical period.
出处
《中国生漆》
2022年第1期9-14,共6页
Journal of Chinese Lacquer
关键词
漆绘陶器
形制
装饰
lacquer pottery
Shape
Decorate
