摘要
郁达夫小说充满浓重的悲剧与感伤色彩,这是其小说的一大特色。《沉沦》与《春风沉醉的晚上》两部作品中的主人公,作为近代社会的“零余者”,身上虽都具有浓浓的悲剧色彩,但又有所不同。前者主要展现的是青年知识分子的“欲”,后者则反映了爱情的“灵”而无欲望。而作为创作者的郁达夫,在文本内塑造这些“悲情”主人公的同时,在文本外的写作过程中也上演了“崇高”的悲剧。
Yu Dafu's novels are full of tragedy and sentimentality,which has become a major feature of his novels.The protagonists in Sinking and Nights of Spring Fever,as the"leftovers"of modern society,all have a strong tragic color,but they are different.The former mainly shows the wish of young intellectuals,while the latter presents the soul of love,but without the desire.Yu Dafu,as the author,portrays these"tragic"protagonists in the text,while performing a"lofty"tragedy in the process of writing outside the text.
作者
郑田田
ZHENG Tiantian(School of Arts,Northwest University,Xi'an,Shaanxi,710127,China)
出处
《西安石油大学学报（社会科学版）》
2022年第3期108-112,共5页
Journal of Xi’an Shiyou University:Social Science Edition
