摘要
运用列斐伏尔的“空间三一论”,结合南非白人作家艾伦•佩顿的小说《哭吧,亲爱的祖国》中对土地所有权的隐喻,分析该小说的空间政治书写。旨在从种族、阶级和性别这三个层面,进一步揭露南非黑人受制于白人主流群体的悲惨命运:种族“空间表征”迫使押沙龙服从审判;阶级“空间表征”令矿工们的罢工和抵制公交车与改造棚户区等反抗行为显得不堪一击;格特鲁德深受种族、阶级和性别的三重压力,最终放弃成为修女的想法,迷失在白人所建立的“表征空间”;在种族、阶级和性别“空间表征”的规训下,为解除黑人在场却失语的状态,押沙龙、格特鲁德和普通矿工等人向白人发起挑战性“空间实践”,但这种挑战性“空间实践”是有局限的,他们最终还是回归规训性“空间实践”。
By adopting Henri Lefebvre’s spatial theory of“spatial triad”,this thesis analyzes the spatial political writing based on the metaphor of the land ownership in Alan Paton's Cry,the Beloved Country.It aims to further reveal the tragic fate of black South Africans who are subject to the white mainstream from three aspects:race,class and gender.The racial“spatial representation”forced Absalom to obey the trial,“class spatial representation”caused the miners’strikes,boycotts on bus and the renovation of shanty towns to be vulnerable;and the racial,class and sexual pressure compelled Gertrude to give up her idea of becoming a nun and get lost in the“representational spaces”created by the whites.Under the discipline of the racial,hierarchical,and sexual“representations of space”,individuals such as Absalom,Gertrude,and ordinary miners have taken challenging“spatial practices”to dispel their aphasia despite their presence.Nonetheless,these challenging“spatial practices”were insufficient and were ultimately replaced by certain disciplinary“spatial practices”.
作者
李美芹
陈秀蓉
LI Mei-qin;CHEN Xiu-rong
出处
《闽南师范大学学报（哲学社会科学版）》
2022年第1期86-92,共7页
Journal of Minnan Normal University:Philosophy and Social Sciences
基金
国家社会科学基金项目(19bww045)
浙江工商大学研究生科研创新基金项目
中央高校基本科研业务费专项资金资助。
