摘要
绘画的发展史,在一定程度上来说是追求艺术形象真实性的过程。阿恩海姆认为现代绘画基于对客观对象和平面形象的双重要求,所产生的作品风格应该是一种类似于儿童画一样的既简单又具体的东西,这样的艺术品真实出现的时候,事物的形象就会被简化为最基本的结构骨架。而这一代表着西方写实绘画的概念与中国传统山水画在某些方面有着千丝万缕的相同之处。本文通过分析和阐释阿恩海姆艺术形象逼真性的美学观点,讨论东西方艺术关于艺术形象逼真性的差异以及美学内涵。
The development history of painting is a process of pursuing the authenticity of artistic image to a certain extent.Arnheim believes that based on the dual requirements of objective objects and plane images,the style of modern painting should be a simple and specific thing similar to children’s painting.When such works of art really appear,the image of things will be simplified into the most basic structural skeleton.This concept,which represents western realistic painting,has countless similarities with Chinese traditional landscape painting in some aspects.By analyzing and explaining Arnheim’s aesthetic view of artistic image fidelity,this paper discusses the differences and aesthetic connotation of artistic image fidelity between eastern and Western art.
作者
许卫昊
XU Weihao(Huzhou Normal University,Huzhou 313000,China)
出处
《鞋类工艺与设计》
2021年第24期93-95,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
艺术形象
写实
美学
山水画
artistic image
realism
esthetics
landscape painting
