摘要
文章认为舞剧创作的核心问题是选材、立意和结构。此外,文章认为编导专业人才培养一方面要积累中国舞蹈素材,要学习民间舞和古典舞,另一方面要有中国文化底蕴,同时需要借鉴国外经验,学习现代舞编创技术。最后,文章提出舞剧创作的现代性转化,其核心在于要有自己的经典作品,这样才能真正得到世界的认可;同时院团创作的项目制管理模式也需要改进,给艺术创作更多的时间和空间。
The paper holds that the core issues of dance drama creation are subject matter, theme and structure. In addition, it believes that professional choreographers should, on the one hand accumulate Chinese dance materials, learn Chinese folk dance and classical dance;on the other hand, they should have a grounding in Chinese culture, and draw on advanced foreign experience and learn modern dance choreography techniques. Finally, the paper proposes that the modernity transformation of dance drama creation should focus on creating its own classics in order to be truly recognized by the world. Meanwhile, the project management mode of dance troupe creation needs to be improved, in order to give artists more time and space.
作者
肖苏华
XIAO Su-hua(Beijing Dance Academy,Beijing 100081,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2022年第1期1-3,共3页
Journal of Beijing Dance Academy
关键词
中国芭蕾
舞剧创作
编导
现代舞
Chinese ballet
dance drama creation
choreography
modern dance
