摘要
黔东南苗族服饰是苗族审美文化和身份意识的载体,传达出苗族的生活与信仰之美,它以族群内部的连续性和族群外部的差异性这两个维度构建着苗族的身份意识与认同。但是,在旅游经济发展过程中,苗族服饰走向公众的同时,便装的目的性已发生转变,而盛装的隆重性又被日常性消解,这为苗族的族群和个体身份的建构带来潜在的危机,面临着身份的重塑。
Costumes of Miao ethnic group in southeast Guizhou province are the carriers of their aesthetic culture and identity awareness, which conveys their views of beauty in life and belief, constructing their identity awareness and cultural identity with two dimensions, that is, the continuity within their ethnic group and differences outside their ethnic group. However, in the development process of tourism, the functions of casual clothes have changed as Miao’s costumes have been widely accepted by the public, and the solemnity of Miao’s rich dress has been routinely dispelled that certainly will bring potential crisis to the construction of their ethnic and individual identities as they are confronted with identity reconstruction.
作者
骆玉平
蒋泽云
LUO Yuping;JIANG Zeyun(Sichuan Fine Arts Institute,Chongqing,401331,China)
出处
《贵州大学学报（艺术版）》
2022年第3期102-108,共7页
Journal of Guizhou University Art Edition
基金
重庆市艺术科学规划重点项目“山水城市建构中的生态意识问题研究”(项目编号:20ZD07)。
关键词
苗族服饰
审美文化
族群身份
自觉意识
公众
Miao costumes
aesthetic culture
ethnic identity
awareness
public
