摘要
在语言产生之前的社会里,文化记忆的方式主要是依靠有生命的身体叙事和无生命的物质依附。通过运用文献资料法、逻辑辩证法,以及以贵池傩舞为个案进行田野调查,研究认为身体叙事是文化记忆传承的载体与媒介;贵池傩舞古朴的舞风与原始崇拜来源于先古时期,其身体叙事方式是对文化记忆的原始表达。通过对贵池傩舞身体叙事转向的逻辑辩证分析,认为随着社会的发展,贵池傩舞的身体叙事主旨也随之发生了变化,由原本的以神为本转向了以人为本,由娱神转向了娱人;从远古走向未来,从封闭转向开放;这些叙事的转向表达了对文化的认同与传承,对身体政治隐喻的消解,以及对生命维度延续的新时代文化记忆意义。
In societies before the emergence of language,cultural memory mainly relies on living body narration and inanimate material attachment.Through the use of literature review,logic and dialectics,as well as field investigation with the Guichi Nuo dance as a case of the research believes that the body narrative is the carrier and medium of cultural memory inheritance;the primitive dance style and primitive worship of Guichi Nuo dance originated from the ancient period,and the body narration is the primitive expression of cultural memory.With the a logical and dialectical analysis of the body narrative turn of Guichi Nuo dance,it is concluded that with the development of society,the body narrative theme of Guichi Nuo dance has also changed,from being based on god to being based on people and from entertaining god to entertaining people,and from the ancient to future and from being closed to being open;the narrative turn expresses the identity and inheritance of culture,the dissolution of body political metaphor,and the significance of cultural memory for the continuation of life dimension in the new era.
作者
曹红敏
陈忠菊
CAO Hong-min;CHEN Zhong-ju(School of Physical Education,Chizhou University;Chizhou University Sports Health Promotion Center,Chizhou,Anhui 247000,China)
出处
《体育研究与教育》
2022年第2期66-72,共7页
Sports Research and Education
基金
安徽省高校人文社会科学重点研究项目(SK2021A0741)。
关键词
文化记忆
身体叙事
贵池傩舞
文化认同
cultural memory
body narrative
guichi nuo dancing
cultural identity
