摘要
现代社会视阈下的审美变化促使凉山彝族着装发生改变,图纹的实用功能正在逐渐衰弱,对于这种文化艺术形态应该予以重视和保护。本文以彝族服饰图纹样式概述作为切入点,对其样式结构和叙事主题进行系统性研究。结果表明凉山彝族服饰图纹样式结构极为丰富,叙事主题多以虚幻和现实相结合。凉山彝族服饰的图纹结构及主题是凉山地区彝族风俗习惯及信仰崇拜在服饰上的物化表现,凉山彝族服饰图纹更是一种概括了凉山彝族社会生产、生活和美学观念的活态文化系统。
The aesthetic changes under the visual threshold of modern society have prompted changes in the clothing of the Yi people in Liangshan. The practical function of patterns is gradually declining. This cultural and artistic form should be emphasized and protected. Using the overview of patterns and patterns as an entry point, systematic research is conducted on the pattern structure and narrative themes. The results show that the pattern structure is extremely rich, and the narrative theme is mostly a combination of illusion and reality. The pattern structure and themes of Liangshan Yi people’s clothing are the materialized expressions of Yi people’s customs and beliefs in Liangshan area. The Liangshan Yi people’s clothing pattern is a living cultural system that summarizes Liangshan Yi people’s social production, life and aesthetic concepts.
作者
李明
LI Ming(College of Fine Arts and Design,Xihua University,Chengdu Sichuan 610039,China)
出处
《武汉纺织大学学报》
2022年第2期79-85,共7页
Journal of Wuhan Textile University
关键词
凉山
彝族服饰
图纹
叙事
Liangshan
Yi people’s clothing
patterns
narration
