摘要
书画赋作为赋体写作的类目,有着自身的写作生成途径与审美意义。在历代书画赋中,窦臮《述书赋》与谭宗浚《述画赋》是两篇论画作品,其考源、叙史、论艺之法对认知书画赋的发生、发展与变迁,颇多启迪。通过对书画赋生成背景与变迁发展的考察,聚焦魏晋时代“体物”赋法与其自成一体的意义,其“象”“法”“意”又呈现了发展过程的完整形态与美学价值。
As a category of Fu style writing,calligraphy and painting Fu has its own writing way and aesthetic significance.Among these,DOU Ji's Shushu Fu and TAN Zongjun's Shuhua Fu are on paintings.Their exploring the source,history and art of the calligraphy and painting Fu inspired further cognition.Through the investigation of the writing background and development of the calligraphy and painting Fu,this paper focuses on the method of“representation writing”in Fu in the Wei and Jin Dynasties.Meanwhile,“image”,“imitation”and“meaning”of Fu show the completion and value of the development process.
作者
许结
XU Jie(Nanjing University,Nanjing 210023,China)
出处
《天中学刊》
2022年第2期52-60,共9页
Journal of Tianzhong
基金
国家社科基金重大项目(17ZDA249)。
关键词
书画赋
生成路径
体物书写
审美意义
calligraphy and painting Fu
generation path
representation writing
aesthetic significance
