摘要
从清道光年间开始到20世纪20年代末,磁州窑一改白地黑花的装饰特色,把青花装饰广泛运用到各类陶瓷器物之中,青花成为这一时期的陶瓷装饰主流。从以下几个方面分析了磁州窑青花装饰的形成。全国瓷业改良的推动,使磁州窑从粗瓷向细瓷改良,在装饰技法上对景德镇青花技法学习,效法名人名画技法;题材上,延续传统人物经典故事画面的流传,秉承了吉祥寓意的内涵,对诗文装饰做出,继而形成了磁州窑装饰从黑到青的嬗变。青花装饰图案由装饰性向绘画性转变,画师身份的独立,出现了关注现实的题材,呈现出北方民间青花特有的兼工带写,质朴恣意的艺术特征,在效仿、延续与嬗变中体现了磁州窑青花在时代社会变革中所作出的应变。
From the beginning of the Daoguang period of the Qing Dynasty to the end of the 1920s,the products of Cizhou kiln changed the decorative features of black patterns in the white-background,and extensively adopted blue and white decoration in various ceramic wares.Consequently,“blue and white”became the mainstream of ceramic decoration in this period.This article dissects the formation of the blue and white decoration of Cizhou kiln from the following aspects.The development of the national porcelain industry has enabled the products of Cizhou kiln to carry out the transition from coarse to fine-level.Moreover,Cizhou kiln also learned from that of Jingdezhen’s blue and white in decoration techniques,and imitated the skills of famous paintings by the celebrities;in terms of themes,Cizhou kiln continued the spread of traditional characters and classic stories,inherited the auspicious implies,and made slight changes to the connotation involved in the decoration of poetry and prose.Therefore,all aspects of what are mentioned above urge the evolution of the decoration of Cizhou kiln from“black”to“green”style.The blue and white decorative patterns transforming from single-decorative mode to more skillful handwritten painting mode,the independence of the painter’s identity,and the themes embedded in reality all present unique“Chinese painting”manner of the northern folk“blue and white”as well as the simple,unadorned artistic characteristics during the process of imitation-inheritance-transmutation,which exhibits Cizhou kiln’s response to the social upheaval in the field of the blue and white decoration.
作者
张文娟
ZHANG Wenjuan(Handan College,Handan 056005,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2022年第3期89-96,共8页
China Ceramics
关键词
磁州窑
青花
民间特色
Cizhou kiln
Blue and white
Folk characteristics
